ABSTRACT
LA ODE ANDRI, N1A5 14 114, Deconstructing the Protagonization of “ Vlad Lord Impaler” Character in “Dracula Untold” Movie Directed by Gary Shore (An Application of Derrida’s Post-Structuralism Theory). A Thesis. English Literature Study Program, Language and Literature Department, Cultural Studies Faculty, Halu Oleo University. Under Supervisor of Yulius Tandi Sapan, S.S., M.Hum (Supervisor) and Muarifuddin, S.Pd., M.A (Co. Supervisor)

Relation of the historical events between Islam and Christianity has been lasting preserved for these religions. This study sought to look a Historiographic Metafiction movie Dracula Untold by Gary Shore which set the historical of European Christendom and Turk Ottoman caliphate. It is focused with the uncontested narration in the of binary opposition construction (good and evil) between Vlad Lord Impaler and Mehmed II in Deconstruction perspective. The data were collected through downloading, watching, annotating and classifying. The data was analyzed through the Deconstruction strategy: Trace, attempts to find other possibility text relevant to the object narration, Differánce, the distance to delay the text meaning hegemony while looking for the other, Supplement that is find a text (the other) as supporting text for reconstructing the text, Deconstruction, a new text meaning obtain from a the Deconstruction process. The result of this study found that the narration has failed to create a binary opposition construction due to its narrative weakness (narrative unconsciousness). So it remained a great deception, first, the narration slandered the Mehmed II while protaginizing a criminal that is Vlad. Second, it attested that Vlad has involvement to group represented by a devil in the movie. Third, a mission of revenge by Vlad and the group towards Turk Ottoman brought in the movie. So, looking at Dracula untold movie attested that animosity to Islam continues to be persisted especially in the movie. So, implicitly this study is relevant with the problems of Islam today.
Keywords : Deconstruction, Trace, Difference (Delay), Supplement, Intertextual